The folk art practice team of the w88 casino pays attention to folk arts and intangible cultural heritage

(Source: China News Education Network 2013-08-19)

There is such a team in this year’s summer practice team, they are a group9People visited the Beijing Folk Artists Association, Huguang Guild Hall, Hip-Hop Baggage Shop, Ditan Park and other places to collect a series of information through searching for information, visiting interviews, issuing questionnaires and other forms. Combining history and reality, they comprehensively analyzed the current situation of the development of Beijing folk arts, gave reasonable suggestions on the problems faced by the development of folk arts, and wrote research reports, which effectively promoted the inheritance and development of intangible cultural heritage. This is the Beijing Folk Art Practice Team of the w88 casino.

w88 online live casino arts and intangible cultural heritage in the context

As the team leader,201211898_12030

Quyi is the collective name for various "singing and rapping arts" of the Chinese nation. It is a unique art form formed by the long-term development and evolution of w88 online live casino oral literature and singing art. Traditional drama and w88 online live casino arts, usually called operas and w88 online live casino arts, are intangible cultural heritage jointly created by people of all ethnic groups in my country. They have a long history, rich heritage, and are extensive and profound. It grows with the evolution of Chinese society and evolves with the passage of history. It is self-evident that it occupies a special position and value in the history of human art.

The vitality and vitality of Beijing w88 online live casino art

In the context of economic globalization and cultural diversification, the overall development of w88 online live casino arts, including Beijing w88 online live casino arts, is facing a new node. Famous playwright Su Shuyang told members of the practice group: "Beijing w88 online live casino art has reached a time when it has to be revised." Aunt Rong Xiuxia of Huguang Guild Hall also said, "It is very difficult to create new plays now." The scripts, costumes, etc. must be prepared, and the cost is too high. Through on-the-spot research, interviews and discussions, members found that the audience range of Beijing w88 online live casino art works is limited, w88 online live casino art education has always been a weakness, the economic support for the development of w88 online live casino art is insufficient, and the balance between economic and social benefits is difficult to grasp. It is not so easy to achieve development and innovation. However, during the research, the members also witnessed with their own eyes the hip-hop baggage shop.80The vitality brought by post-modern young actors to cross talk. On the basis of inheriting traditional skills, they added fashionable elements, making cross talk popular among young people.

Traditional culture should follow the principle of "taking the essence, discarding the dross, criticizing and inheriting, and using the past for the present". Only in this way can it maintain its vitality and vitality forever, and the development of Beijing w88 online live casino art is no exception. By analyzing the internal and external advantages of the development of Beijing w88 online live casino art, the members found that Beijing has advanced construction capabilities, brings together w88 online live casino art talents from all over the world, and has nationwide cultural influence. Beijing has greater advantages than other regions in the field of developing w88 online live casino art. Therefore, Beijing should adopt a growth-oriented strategy to continue to inherit and develop w88 online live casino art. The development of Beijing w88 online live casino art should mainly focus on: integrating traditional culture with the commercial market, matching the pace of national economic development, and reforming the cultural market structure; enhancing the charm of w88 online live casino art itself and carrying out artistic innovation; cultivating w88 online live casino art talents and improving cultural institutions; formulating regulations to protect traditional art, and the government increasing investment; actively "going out" to increase the international influence of w88 online live casino art, and at the same time pay attention to resisting the impact of negative external cultures.

Protection and promotion of intangible cultural heritage of Chinese w88 online live casino arts

Members believe that intangible cultural heritage belongs to all mankind, and w88 online live casino art is a shining pearl in the vast ocean of intangible cultural heritage. Although it was only circulated in some areas and among some people, as a heritage, it still belongs to all mankind. In the practice of rescuing and protecting intangible cultural heritage, correct protection principles and concepts should be adhered to as an indispensable prerequisite for good protection work. To make the protection work practical and effective, reasonable and effective protection methods and measures must be adopted through a government-led and social participation model. The protection of intangible cultural heritage is not only the realization of the rights and interests of individual groups and individuals, but also an important manifestation of the government's performance of public cultural service functions and an important part of social welfare cultural undertakings. The members proposed that for the protection of intangible cultural heritage of w88 online live casino arts, firstly, the artistic means must be updated; secondly, the content of the plays must be closely related to the common people; thirdly, legislation and opera management regulations must be improved; fourthly, cultural departments and TV stations must pay more attention and increase publicity and broadcasting; fifthly, use different protection measures for different types of operas; sixthly, adopt reasonable marketization; seventhly, the survival and development of local dramas must protect the cultural ecology first; eighthly, it must move from static protection to dynamic inheritance. People from all ethnic groups and regions have integrated, absorbed and worked together in long-term cultural exchanges to create such a brilliant intangible cultural heritage.