w88 casino News Network (Reporter Cao Yuluan Photography Yang Zhiqing)2017Year3month15日18：30To21：00, "Library Humanities and Culture Lecture Series: Approaching Kun Opera" in the library lecture hall109Held in room. Mr. Cong Zhaohuan, a national-level inheritor of "intangible cultural heritage" culture (Kun Opera), visited the University of International w88 and Economics to explain the art of Kun Opera to teachers and students and inherit the Kun Opera culture. Mr. Cong Zhaohuan’s daughter, the famous actor Cong Shan, and Vice President of the w88 casino Zhao Zhongxiu attended the event. Library Director Qiu Xiaohong hosted the event.
Zhao Zhongxiu said in his opening speech that Kun Opera is a treasure of Chinese culture and deserves to be recognized and promoted by everyone, especially young people. He hopes that the teachers and students present can listen carefully and enjoy this artistic feast.
Grown here, has a long history
Cong Zhaohuan starts with a brief history of Kun Opera. He introduced that since comprehensive drama art should not only focus on music, but also on the creation of literary scripts, the history of Kunqu Opera should start from800Counting from the Jin and Yuan Dynasty dramas many years ago, Guan Hanqing's "The Injustice of Dou E", Wang Shifu's "The Romance of the West Chamber", Ma Zhiyuan's "Autumn in the Han Palace", etc. are all the early prototypes of Chinese Kun Opera.500Many years ago, China's "Sage of Music" Wei Liangfu combined southern lyrics and northern tunes, adopted Mandarin language forms, and created a popular music form of the era, "Kun Opera Shiqu Shuimo Diao", which was called "New Sound" at the time and was officially called "Kun Opera" in the Qing Dynasty.
Speaker Cong Zhaohuan
Cong Zhaohuan mentioned that Kun Opera was born20Within this year, the creations of Wang Shizhen and others established the style of Kunqu Opera;400Years ago, Tang Xianzu developed Kunqu Opera into the second peak of drama in Chinese history. from1840年开始，由于文化冲击同时缺乏稳定的社会环境，昆曲盛极而衰，甚至濒临灭绝。直到60A few years ago, Zhejiang's "Fifteen Operas" came to Beijing and was praised by Chairman Mao. Kun Opera was revived from the dead. This story was also praised as "one play resurrected an opera type".
The essence of China, containing aesthetics
“The only script that can be directly included in college Chinese textbooks without modification is Kun Opera.” Cong Zhaohuan said that Kun Opera’s scripts use exquisite words and pay attention to the expression of artistic conception, which is consistent with the implicit implication of Chinese aesthetics. ""Main Palace·Duanzhengzheng" sings, 'The sky is blue, the leaves are yellow, the west wind is strong, and the wild geese from the north are flying south. Who will be drunk in the frost forest at dawn? People always cry when they leave.' The words are exquisite, and it sings Cui Yingying's reluctance and sadness when she leaves. When you taste it, you will feel depressed and uncomfortable." Cong Zhaohuan also sang this aria live, and received continuous applause from the audience.
He also introduced the performing art of Kun Opera. The performance mainly has five characteristics, including "singing and dancing, poetic and picturesque, both spirit and form, four skills and five methods, and the complementarity of reality and reality." In order to shape their bodies, Kunqu opera artists work hard to practice eye skills, feather skills, etc., so their performances are highly enjoyable to watch.
The inheritance of Kun Opera has a long way to go
Kun Opera Yu2001Year5month18was listed as a masterpiece of "Oral and Intangible Cultural Heritage of Humanity" by UNESCO on the same day, which is the pursuit of cultural diversity in the context of globalization. "Collected in "Jiugong Dacheng North and South Ci Gongpu"4466Gequpai is a huge library of Chinese opera. Inheriting such national cultural treasures can greatly enhance the cultural confidence of the Chinese people. ”
However, "I don't care about the pain of the singer, but the pain of knowing the sound is rare". Cong Zhaohuan said that the art of Kun Opera has a weak successor, especially the contemporary young people who lack understanding of Kun Opera, and the survival situation of Kun Opera art is worrying. "Mr. Bai Xianyong's promotion of the youth version of "The Peony Pavilion" has attracted a lot of attention. This is a useful exploration of inheriting and innovating Kun Opera. However, compared with improving external factors such as stage beauty, it is more important to explore the non-material Kun Opera rules and know-how behind the phenomenon." Cong Zhaohuan is now committed to promoting Kun Opera in universities to attract the attention of the world, especially young people, and try to avoid the loss of this ancient dramatic art.
This event is jointly sponsored by the library, the Academic Affairs Office, and the Seventh Branch of the Chaoyang District of the Kuomintang. It aims to enable teachers and students to better experience the profound and profound traditional culture of the Chinese nation outside the classroom, and to have face-to-face cultural exchanges and in-depth communication of ideas with cultural masters.
